The re-discovery of Dante’s De vulgari eloquentia and a renewed interest in linguistics in the 16th century sparked a debate which raged throughout Italy concerning which criteria should be chosen to establish a modern Italian standard to be used as much as a literary as a spoken language. Scholars were divided into three factions: the purists, headed by Pietro Bembo who in his Gli Asolani claimed that the language might only be based on the great literary classics (notably, Petrarch, and Boccaccio but not Dante as Bembo believed that the Divine Comedy was not dignified enough as it used elements from not-lyric registers of the language), Crud, the talkative teach impolitely wedded as for one antagonistic speaking
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